Especially relevant to the issue of Iago 's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative. This also applies to Desdemona , as Othello believes that she is deceitful and impure, although she is really blameless and innocent. This theme contributes greatly to the tragedy, as Iago is able to engineer his schemes due to the perception of others of his honesty. Othello's decision to murder his wife is hastened by a conversation in which Cassio speaks of Bianca ; Othello assumes the man is talking about an affair with Desdemona. Misrepresentation allows Iago to gain trust and manipulate other people; he is able to appear to be "honest," in order to deceive and misdirect people.
Identity in William Shakespeare’s Othello, Moor of Venice
Othello the Moor of Venice Analysis | lacircular.info
Othello Please see the bottom of this page for helpful Othello resources. Please see the bottom of each scene for full explanatory notes. Dramatis Personae. Act 1 Scene 1. A street. Scene 2.
Othello the Tragic Hero in William Shakespeare's Othello, the Moor of Venice
Desdemona lies asleep in bed, and Othello enters, dreadfully calm and sure in what he must do. Desdemona wakens and calls him to bed, but he tells her to pray at once, repenting anything she needs to repent, and he will wait while she prays because he does not want to kill her soul. Suddenly, Desdemona realizes that Othello intends to kill her. She is afraid, although she knows she is not guilty.
The play opens in the powerful city state of Venice, famous as a center of trade and banking and for its military might. It is in the early hours of the morning, and two men — Roderigo, a young gentleman and former suitor of Senator Brabantio's daughter Desdemona, and Iago, an ensign who claims to have been passed over for promotion by Othello — are outside Senator Brabantio's house to tell him the news of his daughter's elopement with Othello, the Moor. After sharing the news of the secret marriage in words calculated to alarm him, the treacherous and vindictive Iago quickly departs, leaving Roderigo to confirm the story. Feigning friendship and concern, Iago then meets with Othello and tells him of Brabantio's reaction. Brabantio, Othello, and Desdemona appear before the Duke of Venice.